A blog discussing what's going on in my life and in my mind.
Previously, I offered thoughts on personal, local, national, and world issues -- politics, travel, books, sports, and more. Photos too.
But these days, it's mostly just music.
Monday, November 19, 2012
The End of an Era
Even though the future looks bright for United, I have made the difficult decision not to renew my season tickets for the first time since 1997 (I had a half-season plan that year). In my cost-benefit analysis, I decided that the costs have gone up and the benefits have gone down to the point where it doesn't make sense to renew. Costwise, ticket prices keep going up, and with Kathy not working and Emelia now attending a private school, the ticket plan is now a significant amount of money for me.
Benefitwise, we traveled a lot this year, which resulted in not being around for a lot of games, and we plan to do more of the same next year -- I just don't see myself going to enough games to justify a full-season, or even a half-season, ticket plan. But there's also another reason, one that I hardly noticed until recently -- I miss my family when I go to games. The obvious answer would be to bring them along -- Emelia had a great time at the game she went to this year, enough so that her attention didn't flag and we didn't have to leave early. The problem, however, is that United rarely plays day games. This is consistent with what I believe to be United's business model, i.e., their target audience is young singles. Until yesterday's playoff game, United had not scheduled a home game for before 5pm. And only two games started between 5 and 6pm. I feel confident that this approach is one developed by DC United rather than being an MLS policy -- when I looked at this year's schedule, I saw that six regular season road games started before 5pm. United's policy wasn't much of a problem when I was a childless middle-aged adult going to games, but it is a problem for families with children, a demographic to which I now belong. So while I'd like to take Emelia regularly, for the most part the games are just too late for her.
All told, I'll still go to games, but not as many. Friends will have extra tickets now and again, and I'll keep my fan club membership (Screaming Eagles) active so I can buy tickets through them. Hopefully, some of the games I go to will be early enough that I can take Emelia, or even Hannah.
Thursday, May 31, 2012
A Happy Ending
At the parent-teacher conference on Monday, Emelia's teacher told us that Emelia wasn't listening to any of the other adults in school, just the teacher. And even then, it was a struggle. So we talked to Emelia about it afterwards, while the family was driving me to work. And I followed up with it on Tuesday, when I walked Emelia to school.
Monday, May 14, 2012
Another Letter to Emelia and Hannah
About the girls, May 2012
Emelia. Emelia at five is fiercely independent, except when she isn't. She's engaging, snuggly, and determined, but also she has trouble accepting things that aren't how she wants, be it with her peers or her parents. She has a strong sense of justice, usually centered on how she's being falsely "accused" of misbehaving. In sum, she's very much how she's been for the past two years, except wiser, more stubborn, more eloquent, and more creative. And even more delightful, if that's possible.
Hannah. Hannah is three months past her second birthday, her happiness that never flagged in the past now tinted occasionally by bouts of two-ness. Still, strangers regularly come up and tell us what a happy child she is. She's talking up a storm, loves to jump and do all sorts of physical activity, and she generally can't be left unattended. She's no longer napping every day, and Kathy especially isn't happy about it. She loves balls, dolls, and vehicles.
The weekend
Friday. Kathy, Emelia and Hannah headed up to College Park after school to visit with Shizuka, Kaz and Michiko (Eric was away) -- I Metro'd up there after work to meet you for dinner and a little hanging out, before I took the car back to tend to Nora, leaving the three of you to have a sleepover. I stayed up too late on TurnTable, and from what I hear, Emelia and Kaz also stayed up pretty late, chit-chatting away, best friends just like their Moms. Still, I was up the next morning before Kathy called for me to head up for a bagel breakfast.
Saturday. Up there, play and good times continued around a delicious bagel breakfast. After breakfast, Kathy, Hannah and I made a trip to the nearby REI, then came back to grab Emelia and all of us headed home. Lunch at home was followed by Hannah's (and my) nap. We woke Hannah and away we went to a Street Art Festival down at Yards Park. Actually, the girls' highlight was less the festival and much more the fountain and little pool, where I think they both would have stayed had I not pulled them away so we could see what we (I) came for. Truth be told, however, there wasn't much that interested us in the festival. The one exception was a troupe of acrobats that Kathy and I enjoyed, but Emelia and Hannah were pretty bored. Emelia eventually turned to performing her own acrobatics, far more impressed by what she could do than could the members of the troupe. After that we headed home for a simple dinner and an early bedtime for the girls.
Rather, an early bedtime for Hannah. After dinner I reminded Emelia that she wanted to make a Mother's Day cake for Sunday, so we set to work on that. Mother's Day is not traditionally known as a cake holiday, but last year we inadvertently started a tradition -- since I had a special grown-up surprise birthday party for Kathy three days earlier, we assuaged Emelia's feeling of being left out by making a Mother's Day cake. She remembered it well this year and wanted to make one again. Both before and during the making, Emelia must have referenced the "surprise" about 100 times, always making sure Kathy didn't know what we were up to. Emelia's bedtime followed the baking.
Sunday. I woke up early, and Emelia followed quickly (as did Hannah when Emelia got up). I got some milk for Hannah while Emelia and I set to work with the frosting and sprinkles. Being clueless about such things at the time I purchased the cake mix, I quickly discovered that devil's food cake crumbs off very easily if you apply frosting, so I ended up having to do that, even though we both wanted Emelia to have the honors. Instead, she got to put the sprinkles on. I left her to spell out "MOMMY" with them, or "MOM" if the letters got too big, but even that was a bit too optimistic. Let's just say that I was able to perform a salvage job so that the "O" wasn't a solid block of sprinkles.
Saturday, April 28, 2012
The Race is On
There's a new opinion piece that unequivocally puts the blame on the dysfunction in government squarely at the feet of the Republicans. And as far as it goes, I have no qualms with its assertions -- in Congress, the Republicans are determined to be obstructionist and unreasonable. But I've seen folks point to that article as a defense of Obama's record, and I think that's ridiculous. The Obama Administration has the power to do many things. Many of the things he has done (or failed to do when he could do them) are abominable.
Suppose there was no limit on how many terms a president could serve, and W not only ran but won re-election in 2008. And suppose that he's running for office again in 2012, and in the past four years, his administration:
- Signed into law an expanded Patriot Act that goes beyond how awful it already was before 2008;
- Participated in the deficit hysteria that keeps us in a long-term recession;
- Greatly expanded the use of drones;
- Greatly expanded the use/abuse of the state-secret argument in cases and FOIA requests;
- Advocated for and signed into law indefinite detention;
- Escalated the war on whistle blowers to unprecedented levels;
- Claimed the right to assassinate Americans (and exercised it);
- Backed down on environmental regulations;
- Created precedent in attacking revenue for Social Security, and proposed changes to Social Security that would ensure poverty for millions of retirees (arguably to prevent millions of retirees from having even greater cuts to the Social Security), instead of, you know, working to make simple and effective fixes to Social Security like raising/removing the contribution cap;
- Backed down on a ban on contractor discrimination based on sexual orientation;
- Advocated the use of strip searches for minor offenses;
- Did not go after the illegal use of torture or prosecute Wall Street/banks for their malfeasance, but did step up attacks on medical marijuana.
Some of these are more important than others, but this record is awful -- I would never consider voting for Bush with that record behind him (and I'm sure I'm forgetting plenty -- these are just the ones that come to mind, and so they're slanted toward more recent events). Yet these are things that Obama has done (follow the links) -- not Congress or Republicans, but Obama. That the name and party behind those in/actions is different gives me no reason to reconsider my position. Nor does the fact that in some instances Republicans have proposed even more radical things. Even the fact that Obama can both nominate federal judges and serve as a check against such radical proposals is inadequate given how awful he's been without Republican involvement.
Of course I've focused on the bad, and it's only fair to consider the good he's done. Sadly, many of the good things he's done are qualified successes. The two unqualified things I give credit for are signing into law the Lily Ledbetter Fair Pay Act, and nominating Justice Sotomayor for the Supreme Court. The stimulus bill was a lot better than nothing, but it was still too small and poorly designed to get us out of the recession, and its effect was dampened by deficit deals he later made. Health care reform was a lovely idea, but the law that got enacted is from a template from the very conservative Heritage Foundation, and keeps getting watered down. Leaving Iraq is a good thing, if you overlook that the Obama Administration tried to stay longer (ironically, it was bound by an agreement made by Bush that the Iraqis wouldn't budge on). The Dodd-Frank Act may be an improvement over the status quo (or not, I'm honestly not sure), but what it mostly did was create confusion and give industry a chance to negate its effect.
I have a couple of individuals I'm considering voting for. But I can safely say that the person I'll decide on isn't the nominee of a major party.
Thursday, April 12, 2012
Changes
Sunday, March 25, 2012
She Doesn't Deserve This Shit
Sunday, March 18, 2012
A Letter to Emelia and Hannah
This has been a winter of no winter. I had used my heavy coat for three days of the entire winter. It was in the 40s on Saturday, but in the 60s on Sunday, and the 70s and 80s Monday through today.
On Saturday night, I went to DC United's season opener, a game that ended in disappointment because despite getting outplayed, the scoreless draw was in reach until an added-time goal sent the team to defeat. In the stands we engaged in gallows humor to pass the evening, a sadly too familiar past time at United games these past few years. Still, it was nice to be with the gang again after the five month offseason, even though I have little to do with them outside of United games.
Sunday morning as we were adjusting to Daylight Savings we all went to visit Sharon, Gary, Andrew and Declan for breakfast, a visit that was pretty enjoyable. When Hannah showed signs of needing her nap, I drove everyone else home, and headed to a beer tasting. I had just lost 19 pounds from a diet I went on at the start of the year, and this was my first local tasting in several months. Between cuts in my personal budget and my waning interest in beer gatherings/ratings, this was something of a treat. While there I watched FSU defeat UNC to give the team its first ACC championship. And I tried a lot of beers and ate way too much food. A beer tasting doesn't involve a lot of volume -- most beers I only drank a couple of ounces, so that the 35 or so beers I drank was about a six-pack of volume -- that's a sizable amount, but not so much when the consumption was spread out over 7 hours. As with the soccer match, it was enjoyable even though I'm not close to any of the other attendees. Where once I had close ties to some of the local beer geeks, the ones I've cared about have moved or moved on, and the current regulars generally aren't people that I'd ever do something socially with outside of tastings.
I got home at a decent hour -- Kathy was still up, and we chatted a bit before we both went to sleep. Alas, at 12:30 or so, Hannah woke up because her pacifier fell out. Kathy responded to it, I woke up when she went to attend to Hannah, and I never could fall back asleep. Two hours of sleep on the night left me pretty tired the next day. I had had visions of going to a concert on Monday night, but lacking sleep and a ticket to the sold-out show, I gave up on that. At 4pm, however, I was offered a ticket, and went to an amazing show. Back around 11, I still stayed up another hour or so because I was so pumped up from the show. Six hours of sleep left me in pretty bad shape in light of the sleep shortage the previous night as well.
Tuesday morning I had the pleasure of walking Emelia to school. We both were enjoying the fantastic weather on the walk. As is often the case, our conversation was all over the place. It started with my trying to convey how wonderful the concert experience was, and Emelia claimed to completely understand, because she's five. I told her that we would go to Floydfest that summer, where I looked forward to sharing some music experiences with her. At some point the conversation shifted to dreams/goals, and Emelia informed me that she intends to marry her best friend (for the past two weeks), Timothy. I asked what happened to Jonah, as she had said she was going to marry him just a couple of weeks ago. Emelia explained that when our families had last gotten together, Jonah indicated that he probably was going to marry someone at his current school, so Emelia had set her sights elsewhere. And it made sense to me that she would select Timothy because Kathy had just recently explained that she was married to her best friend. Emelia had been changing her designated best friend quite frequently, and I couldn't help but wonder whether/how Kathy's statement was coloring Emelia's perspective.
On my way to work afterwards, I had a most unusual experience. As I was leaving the L'Enfant Plaza metro station, a man was going down the up escalator. He stopped a little in front of me, and I walked past him. A few seconds later a second man was walking down the up escalator, and he was completely naked. He had a shirt or something loosely covering his genitals, but that was about it. I have no idea what was going on, only that I had no interest in trying to find out. His shoes and the rest of his clothes were at the top of the escalator, unable to follow the conveyor as it slid underground.
Tuesday at work (yes, I was working amid all these activities), we released a big item that I had worked on for a couple of years. I had a bit of pride in completing it, but the greater feeling was one of relief. It was a challenging, difficult, and often frustrating process, and I was glad to leave this portion of the project behind.
Tuesday evening, when I got home, Kathy was set for us to enjoy the nice weather to go to Lincoln Park for a picnic (Emelia's idea). I was beat and not up for it, and Hannah was showing signs of being tired too. Still, I did my best to rally and we went. Hannah insisted on holding both Kathy's and my hands on the walk over, and got upset when we weren't doing that. At one point she threw herself to the ground in a decidedly two-year-old way; unfortunately she's more used to the floor at home, and hurt herself on the harder surface. After a few cries she rebounded, and we got to the park a couple of minutes later. We stayed there for a few minutes, but it started to rain, so we hurried back home and ate the rest of the picnic on the living room floor. Hannah went to bed shortly after that, and with that, the 72-hour window into my life has elapsed.
Thursday, March 15, 2012
New Multitudes

After two hours of sleep on Sunday night, there was no way I was going to go to the Birchmere on Monday to buy a scalped ticket to the sold-out New Multitudes show. My craigslist posting in search of a ticket had yielded no responses, and between my exhaustion and the likely fruitlessness, I was giving up.
Then at 4:00pm, I got a text asking if I was still interested, and my fatigue was washed away by the adrenaline my body started producing -- I was going to the show!
Things kept getting better once I committed to going. The seller wanted $50, but I got there before he did and someone outside was selling a ticket for face ($30), so I jumped at it. I spotted a single seat in the middle of the room, directly in front of stage right -- perfect. In response to my asking if the seat was available, I got a response that it was, but that I should be warned that the conversation was going to be about beer.
Bobby Bare, Jr. offered an entertaining opening set, mixing his songs fairly evenly between the depressing and the absurd, occasionally serving up songs with a healthy heaping of both qualities.
As for New Multitudes, let me start off by telling who they are, because the name isn't familiar to many people yet. For that matter, if I had recognized the name early enough, I probably would have bought a ticket before it sold out and saved myself a lot of anxiety. Billy Bragg and Wilco plumbed the Woody Guthrie archives a decade ago to compose songs from lyrics that evidently had never been set to music, resulting in the highly acclaimed Mermaid Avenue albums. Now, in honor of the centennial of Guthrie's birth, a different set of musicians have released a different set of Guthrie lyrics they've set to music. New Multitudes consists of Yim Yames (My Morning Jacket), Jay Farrar (Uncle Tupelo, Son Volt), Anders Parker (Varnaline), and Will Johnson (Centro-matic). Despite my long-held appreciation of the music produced by the first three of those men (nothing against Johnson, I'm just not familiar with his music), I had never seen any of them perform.
The first half of the show was a live performance of the 12 songs on the New Multitudes album, in the order in which they appear on the album, with virtually no dialogue. Each performer led the band for three songs. Johnson was mostly behind the drums, but on the occasions he stepped out from there to take the lead, Parker squeezed his rather large frame into the small space on the stage for the drummer. Meanwhile, Yames mostly played bass, and Farrar stayed on guitar. I'd only played the new album a couple of times prior to the show (I purchased the deluxe version, which includes 11 additional songs performed by Farrar and Parker, further diluting my familiarity with the new album). At times the compositions didn't involve all four band members, leaving one or two of them to stand uncomfortably idle for a couple of minutes. Still, their evident comfort with each other during the songs where they all performed overcame those awkward moments. Highlights of this set included the Johnson-led "Chorine My Sheba Queen" and the Yames-led "Talking Empty Bed Blues."
Something that surprised me in this portion of the show was the expansion of the album versions in several instances, with the resulting jams leaning toward garage/psychedelic -- the live version of Yames' "My Revolutionary Mind" particularly stood out in this regard. Regardless, the differences from the album were quite enjoyable, giving me a further appreciation of the songs. At some point during the show I remembered that the collaboration between the musicians began as early as 2006, so that even though the songs are new to the audience, no doubt ideas have continued to percolate and be passed among them in the time since the songs were arranged.
Once the band had played the 12 songs from the album, they took a short break, after which each member came out to do a solo acoustic tune. For me, the highlight of the show was when Parker played "Song," off the 2001 Varnaline album Songs in a Northern Key. I've loved this album for many years and had hoped he'd play something off it, though I thought the odds were rather slim -- what a delightful surprise! I was silently screaming along as Parker played -- it was all I could do not to sing along to probably the quietest song on the night. For Americana, "Song" is a fairly electric song, but Parker's stripped-down acoustic version added a staccato element that gave the song a greater sound of urgency than the original.
Their solo acoustic numbers complete, the entire band came back out for five more songs. Each man led one of the first four songs from his own catalog of songs, before the band closed with Guthrie's "Pastures of Plenty." This was the band at its integrated best, particularly for Son Volt's "Bandages & Scars" and the Guthrie tune, the latter transformed into a sprawling 12-minute tune that had the band leave the stage one at a time, until finally Johnson was along on stage pounding the drums with a fierce intensity and backed only by the feedback playing throughout the final song.
All told, it was one of my favorite concerts ever, and it left me so pumped that after coming home I still needed another hour to settle down enough to drag my exhausted self to sleep 24 hours after I'd last awoken.
Sunday, January 01, 2012
My Top Albums of 2011
Without further ado, here are my Top 25 Albums:
25. William Elliott Whitmore -- Field Songs
24. Tedeschi Trucks Band -- Revelator
23. Steve Earle -- I’ll Never Get Out of This World Alive
22. The Jayhawks -- Mockingbird Time
21. Gillian Welch -- The Harrow and The Harvest
20. Jason Isbell & the 400 Unit -- Here We Rest
19. Iron and Wine -- Kiss Each Other Clean
18. Deer Tick -- Divine Providence
17. Old 97’s -- Grand Theatre, Vol. 2
16. The Mountain Goats -- All Eternals Deck
15. Sallie Ford & The Sound Outside -- Dirty Radio
14. Gary Clark Jr. -- The Bright Lights EP
13. Wye Oak -- Civilian
12. Low -- C’mon
11. Charles Bradley -- No Time for Dreaming
10. Middle Brother -- Middle Brother
9. Abigail Washburn -- City of Refuge
8. Ivan & Aloysha -- Fathers Be Kind EP
7. The Low Anthem -- Smart Flesh
6. Wilco -- The Whole Love
5. Dawes -- Nothing Is Wrong
4. Drive-By Truckers -- Go-Go Boots
3. Fleet Foxes -- Helplessness Blues
2. Frank Turner -- England Keep My Bones
1. The Decemberists -- The King Is Dead
To hear tracks from these albums, in addition to other tunes I’ve enjoyed in 2011, you can check out this Spotify playlist.
Thursday, December 30, 2010
My Favorite Music of 2010
My top 25 albums of 2010:
25. Romany Rye -- Highway 1. Looking Back Carefully. I probably shouldn't include this, as I haven't actually heard it in its entirety. Then again, if I were able to hear all of it, it probably would be much higher up in my list. Daytrotter has a 4-song set you can check out.
24. Laura Marling -- I Speak Because I Can. Young English folk singer with a gorgeous voice. Especially check out "Blackberry Stone."
23. Richard Thompson -- Dream Attic. On first listen I didn't think much of Thompson's latest offering, but that speaks more to his ability to create magnificent albums than any failing of this particular one. Here, Thompson releases a set of new songs recorded in concert, and while no one song stands out, it's nevertheless a strong set.
22. The Head and the Heart -- The Head and the Heart. There are several tunes that stay with you on this debut album, perhaps none more so than "Lost In My Mind."
21. The Sadies -- Darker Circles. I've yet to be disappointed by an album by The Sadies, and while this one isn't the equal of 2007's New Seasons, which was also produced by The Jayhawks' Gary Louris, there's plenty to enjoy. Like "Cut Corners."
20. Jónsi -- Go. Completely outside what i usually listen to -- it's way too happy, electronic, and even somewhat ethereal. Still, I really enjoy it. Here's "Go Do."
19. Broken Bells -- Broken Bells. I'm a sucker for James Mercer's voice, and Danger Mouse did a great job of constructing a sound showcasing it in a way that's distinct from Mercer's work fronting The Shins.
18. Freedy Johnston -- Rain on the City. Freedy Johnston had one semi-hit over a decade ago, "Bad Reputation." He never stopped making music, even though he hasn't entered the public consciousness in the intervening 16 years. And we're the richer for it, because he's come out with a great album well worth one's attention, especially if you appreciate the Marshall Crenshaws of the world.
17. The Acorn -- No Ghost. To me, The Acorn evokes The Talking Heads, even while forging its own identity. Have a listen to "Restoration."
16. Drive-By Truckers -- The Big To-Do. DBT came out with another solid album in 2010. The Big To-Do doesn't make me forget Southern Rock Opera, but it grows on me a little more every time I play it.
15. Black Rebel Motorcycle Club -- Beat the Devil’s Tattoo. I could play the title track every day for a year and not grow tired of it.
14. The Hold Steady -- Heaven is Wherever. Yes it's a good album and deserves to be on this list. No it doesn't deserve higher than this, and it doesn't compare with either Boys and Girls in America or Stay Positive.
13. Band of Horses -- Infinite Arms. BoH gets a little more poppy with this album, but once I adjusted my expectations away from another Cease to Begin, I found myself really getting into it. Here's "Laredo."
12. Black Prairie -- Feast of the Hunters' Moon. I confess that I learned about this band from a FaceBook ad, but I'm not sure why it came to that, given that three of their members are also with The Decemberists. All that Gothic/Gypsy/Bluegrass sound without Colin Meloy's voice in the lead. You can listen to some of it at their website.
11. The Gaslight Anthem -- American Slang. No surprise here, as The Gaslight Anthem produced another fine album. Sure there's plenty of Springsteen in their sound, but there's some Clash too.
10. Arcade Fire -- The Suburbs. Speaks for itself (and you already know about it anyhow).
9. Deer Tick -- The Black Dirt Sessions. Incredibly intense album. Wonderful.
8. The Mynabirds -- What We Lose in the Fire We Gain in the Flood. It's hard to pick one song to encapsulate this album's Dusty Springfield (and more) elements. Fortunately, there's a Daytrotter Session, so I don't have to.
7. John Jorgenson Quintet -- One Stolen Night. Gypsy jazz has made me happy from the first time I heard a Django Reinhardt song, and John Jorgenson is one of the premiere musicians keeping this style alive and well. Here's "Red on Red."
6. Sharon Jones & The Dap-Kings -- I Learned the Hard Way. One of my favorite things about Jones's music is that even though I expect each album to sound just like the last one, and that expectation is realized, each album sounds completely fresh. Maybe it's because she's the only artist I'm listening to regularly (apologies to Fitz and the Tantrums) in the Motown genre. Regardless of why, the title track shines.
5. Futurebirds -- Hampton’s Lullaby. The languid opening track, "Johnny Utah," sets the tone for my favorite debut album of the year. The album evokes My Morning Jacket's early work, but the Futurebirds certainly have their own identity.
4. Josh Ritter -- So Runs The World Away. A good album filled with many thoughtful and engaging songs, SRTWA nevertheless lacks anything comparable to Ritter's best works. Still, it does contain my favorite video of the year (admittedly, I don't watch many of them), "The Curse."
3. Delta Spirit -- History From Below. I don't have a favorite song for this album -- I like it all, from the rocking "Bushwick Blues" to the mournful 8-minute closer "Ballad of Vitaly," and have found myself playing it frequently from the moment I got it.
2. The National -- High Violet. Of all the bands whose new albums I was most looking forward to in 2010, The National was the one that best delivered. Their previous album, Boxer, was their most successful album because, rather that differing much from its predecessors, it was a culmination of the band's sound. With High Violet, The National ventured beyond the comfort zone it had established, and succeeded wonderfully in doing so.
1. The Tallest Man on Earth -- The Wild Hunt/Sometimes The Blues Is Just A Passing Bird. One fantastic album and one fantastic EP, both by the same person in the same calendar year. I've yet to figure out how I can be so mesmerized by his voice and his lone guitar, to the point where I can listen to him for hours. But whatever the cause is, it made it easy to choose the top album(s) for 2010.
Ineligible but Worthy:
Mumford and Sons -- Sigh No More. I didn't discover this album until this year. Had it been released in 2010, it would have been in my Top 10.
Some other great songs (from albums that didn't crack my Top 25):
- Ben Sollee and Daniel Moore Martin -- "Something, Somewhere, Sometime"
- The Black Angels -- "Telephone"
- The Corin Tucker Band -- "Doubt"
- The Deep Dark Woods -- "Silver Ships of Andilar" (Townes Van Zandt Cover)
- Dr. Dog -- "Nobody Knows Who You Are"
- J Roddy Walston and the Business -- "Don't Break the Needle"
- The Love Language -- "Heart to Tell"
- Mimicking Birds -- "Burning Stars"
- The New Pornographers -- "Crash Years"
- Samantha Crain -- "Lions"
- She & Him -- Pretty much any song from Volume Two. Individually they're gems, but collectively they make an album that's too twee for me to enjoy.
- Ted Leo & The Pharmacists -- "Even Heroes Have to Die"
